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Stream/Area:
-
Subject:
-
Paper ID:
IJSREM67214
Volume:
10 |
9 |
Sep 2026
Pages:
1-8
Publication Frequency:
Monthly (12 issues per year)
License:International Journal of Scientific Research in Engineering and Management follows the Creative Commons Attribution 4.0 (CC BY 4.0) License, allowing free use and distribution with proper attribution.

School of Performing Arts
Sambalpur University
Banibutal, also known as Leela Danda, is a traditional folk theatre form of Western Odisha. It is performed within the broader cultural setting of Danda Nata and is mainly based on the love story of Radha and Krishna. The performance combines dance, music, songs, dialogue, acting, humour, and traditional stage practices. It is found mainly in parts of Sambalpur, Bargarh, Sundergad, and neighbouring areas of Western Odisha. The central character of Banibutal is Bani, the sister-in-law of Radha. Although Duti acts as a messenger between Radha and Krishna, it is Bani who finally helps them meet. Therefore, her role is central to the development of the story. The performance also includes characters such as Radha, Krishna, Chandrasena, Kutila and Duti. Through these characters, the performance presents love, humour, social relationships and human emotions. This article examines the story, characters, performance style and relationship of Banibutal with Danda Nata. It also discusses the similarities and differences between the two traditions, particularly in relation to folk dance, music, acting, stage presentation, religious practices and social purpose. While Danda Nata has a strong religious and ritual character, Banibutal gives greater importance to entertainment and dramatic presentation. The study argues that Banibutal or Leela Danda is an important part of the intangible cultural heritage of Western Odisha. However, changing social conditions and the decline of traditional performance practices create challenges for its continuity. Proper documentation, research, transmission of traditional knowledge, and participation of younger generations are therefore necessary for its preservation and future development.
KEYWORDS
In conclusion, Leela Danda or Banibutal is more than an entertainment-oriented folk performance; it is a repository of the cultural memory, devotional imagination, artistic creativity and social identity of Western Odisha. Its distinctive combination of Radha-Krishna narratives, folk music, dance, dramatic performance and humour makes it an important component of the region's intangible cultural heritage. The challenge before the present generation is not merely to preserve it as a historical specimen, but to revitalise it as a living tradition while maintaining its traditional identity. A coordinated effort by artists, communities, scholars, cultural institutions and government agencies can ensure that the unique heritage of Leela Danda/Banibutal continues to reach future generations.
1. Das, H. K. (2023). Odia folk theatre (3rd ed.). Grantha Mandir. 2. Mishra, P. (2019). Exploring Leela Danda: A folk theatre of Western Odisha. Theatre Street Journal, 3(1), 13–18. 3. Pandia, D., Pasayat, C., & Sahu, G. S. (2009). Danda Nata: Tradition and concept. Western Odisha Development Council. 4. Prasad, G. N. (2022). Cultural heritage of Western Odisha (2nd ed.). Students Star Book Publisher and Seller. 5. B.Nepak. (1999). Samabalpluri and other folk dances of Orissa. Bhubaneswar: Bhagirath Prakashan. 6. Das, P. L, & Guru, G. P. (2012). Folk Lore of West Odisha Part - I. Sonepur: Koshal Heritage Trust & Koshal Sahitya Sanskruti Academy.
Publication Date
9/12/2026
Peer Review Type
Double-Blind Peer Review
Review Rounds: 2
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