Carving Culture: An Analytical Study of Bhedhaghat Marble Craft, Jabalpur, M.P

This study explores an innovative approach to upcycling marble waste from the Bhedhaghat craft cluster into contemporary jewellery through practice-based design and collaboration with local artisans. Fragments generated during traditional carving were collected, sorted, and assessed for their suitability in micro-scale jewellery production. Selected pieces were carved into miniature floral and leaf motifs using conventional hand tools, combining heritage techniques with modern design intent. Components were assembled using thread-based joining techniques to create lightweight, flexible, and youth-oriented designs, addressing the outdated aesthetics of existing market products. Surface finishing with marble powder enhanced both the visual appeal and comfort, while resin-bonded ear posts ensured a secure and durable fit. Prototype evaluation confirmed structural integrity, aesthetic quality, and user comfort, validating the feasibility of transforming marble by-products into high-value fashion accessories. The study highlights the potential of design-led innovation to reduce material waste, strengthen artisan livelihoods, and reposition Bhedhaghat marble craft in contemporary fashion markets. By integrating sustainability, cultural heritage, and modern design principles, this research offers a replicable model for converting traditional craft residues into commercially viable, socially impactful, and environmentally responsible jewellery. It demonstrates how heritage craftsmanship can meet contemporary fashion demands while promoting sustainable artisan-based production.