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Paper ID:IJSREM65764

Demythologizing Motherhood: A Postcolonial Feminist Reading of Maternal Ambivalence in Avni Doshi's Burnt Sugar

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Subject:

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Paper ID:

IJSREM65764

Volume:

10 |

7 |

Jul 2026

Pages:

1-6

Publication Frequency:

Monthly (12 issues per year)

DOI
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Not assigned

License:International Journal of Scientific Research in Engineering and Management follows the Creative Commons Attribution 4.0 (CC BY 4.0) License, allowing free use and distribution with proper attribution.

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Authors

NJ

Nindia Jamwal

Department of Applied Sciences

CGC University Mohali

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Abstract

Motherhood has traditionally been portrayed in literature as a sacred institution associated with unconditional love, self-sacrifice, and emotional fulfillment. Contemporary feminist literature, however, challenges these idealized representations by presenting motherhood as a complex and often conflicting experience shaped by personal, psychological, and socio-cultural realities. Avni Doshi's Burnt Sugar (2020) offers a powerful critique of conventional notions of motherhood through the emotionally turbulent relationship between Tara and her daughter Antara. This paper examines how the novel dismantles patriarchal myths surrounding motherhood by foregrounding maternal ambivalence, psychological trauma, female identity, and intergenerational conflict. Employing feminist literary criticism, postcolonial feminist theory, and psychoanalytic perspectives, the study investigates how Tara's experiences expose the emotional costs of compulsory motherhood within a patriarchal Indian society. The analysis further explores the symbolic significance of memory, domestic spaces, water imagery, and the metaphor of burnt sugar in representing fractured maternal identities and unresolved trauma. Rather than depicting motherhood as a naturally fulfilling role, Doshi presents it as a contested social construct that often demands the suppression of women's individuality. The study argues that Burnt Sugar expands contemporary Indian feminist discourse by validating maternal dissatisfaction and emotional complexity while challenging idealized cultural narratives of womanhood. Through its nuanced portrayal of flawed motherhood, the novel contributes significantly to ongoing conversations about gender, identity, agency, and the psychological consequences of patriarchal expectations in contemporary Indian literature.

KEYWORDS

Motherhood Maternal Ambivalence Feminism Postcolonial Feminism Avni Doshi Burnt Sugar Indian English Literature

Cite This Article

Nindia Jamwal, "Demythologizing Motherhood: A Postcolonial Feminist Reading of Maternal Ambivalence in Avni Doshi's Burnt Sugar," International Journal of Scientific Research in Engineering and Management, vol. 10, no. 7, pp. 1-6, Jul 2026.

Full Article/Conclusion

Avni Doshi's Burnt Sugar offers one of the most compelling contemporary literary explorations of motherhood in Indian English literature. By portraying the emotionally turbulent relationship between Tara and Antara, the novel dismantles long-standing cultural myths that associate motherhood exclusively with unconditional love, sacrifice, and personal fulfillment. Instead, Doshi presents motherhood as a multifaceted experience shaped by trauma, memory, psychological conflict, and social expectations. This study demonstrates that maternal ambivalence constitutes the central thematic concern of the novel. Tara's contradictory emotions reflect not individual inadequacy but the emotional consequences of patriarchal systems that demand complete self-sacrifice from women while denying them opportunities for personal autonomy. Through feminist literary criticism, the analysis reveals how motherhood functions as a socially constructed institution that regulates female identity and reinforces gender hierarchies. The postcolonial perspective further illustrates that these expectations remain deeply connected to historical and cultural narratives that continue to shape contemporary Indian society. The psychological analysis highlights the intergenerational transmission of trauma, showing how unresolved emotional wounds influence successive mother-daughter relationships. Doshi's fragmented narrative structure and symbolic imagery effectively represent the instability of memory and identity, reinforcing the novel's central argument that motherhood cannot be reduced to simplistic moral categories. Instead, it emerges as an evolving negotiation between personal desire, cultural obligation, and emotional inheritance. The findings of this study also open possibilities for future research. Comparative analyses with other contemporary Indian women novelists, interdisciplinary studies incorporating trauma psychology and medical humanities, and investigations into memory, ageing, and female subjectivity could further expand scholarly understanding of maternal representation in modern literature. As debates surrounding gender, family, and identity continue to evolve, Burnt Sugar remains an important literary text that encourages readers to rethink motherhood beyond inherited cultural myths and toward a more inclusive understanding of women's lived realities.

References

[1]      B. Ashcroft, G. Griffiths, and H. Tiffin, The postcolonial studies reader, Third edition. Abingdon New York (N.Y.): Routledge, 2025. [2]      J. Butler, Gender trouble: feminism and the subversion of identity. in Routledge classics. New York: Routledge, 2006. [3]      J. Bowlby, “Attachment and Loss. 3: Loss: sadness and depression,” Reprint., in International psycho-analytical library, no. 109. , London: Penguin Books, 1991. [4]      S. de Beauvoir, C. Capisto-Borde, and S. Malovany-Chevallier, The second sex, First Vintage Books ed. New York: Vintage Books, 2011. [5]      J. Donovan, Feminist theory: the intellectual traditions, 4th ed., rev.Expanded. New York: Continuum, 2012. [6]      H. Vijayakumaran and M. T, “The Good, the Bad, and the Ugly: Maternal Ambivalence in Avni Doshi’s Burnt Sugar,” JLS, vol. 40, no. 1, Jun. 2024, doi: 10.25159/1753-5387/15783. [7]      B. Friedan, The feminine mystique, 20th anniversary ed. New York: Norton, 1983. [8]      M. Hirsch, The mother/daughter plot: narrative, psychoanalysis, feminism. in A Midland book, no. MB 532. Bloomington: Indiana University Press, 1989. [9]      D. Jefferess, Postcolonial Resistance: Culture, Liberation, and Transformation. Toronto: University of Toronto Press, 2008. doi: 10.3138/9781442688841. [10]    A. Loomba, Colonialism/postcolonialism, Third edition. in New critical idiom. London ; New York, NY: Routledge, Taylor & Francis Group, 2015.

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7/2/2026

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