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Paper ID:IJSREM64609

Design of the decorative motifs Embun Sikawiten and Bindu Natogog on ready to wear clothing made of checkered batik

Stream/Area:

-

Subject:

-

Paper ID:

IJSREM64609

Volume:

10 |

6 |

Jun 2026

Pages:

1-8

Publication Frequency:

Monthly (12 issues per year)

DOI
Digital Object Identifier
10.55041/IJSREM64609

License:International Journal of Scientific Research in Engineering and Management follows the Creative Commons Attribution 4.0 (CC BY 4.0) License, allowing free use and distribution with proper attribution.

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Authors

Netty Juliana

Netty Juliana

Vocational Teacher Training Program

State University of Medan

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Abstract

The Berastagi region is rich in decorative motifs found in the carvings of traditional Karo houses. The aim of this study was to translate the Embun Sikawit and Bindu Natogog motifs into Karo batik patterns for ready-to-wear clothing. The methodology employed is the SP Gustami method, a three-stage fashion design process: exploration, design, and implementation. The study aims to expand the diversity of batik patterns in Indonesia, particularly in North Sumatra, and to develop a wide range of ready-to-wear clothing that reflects cultural values and meets the needs of the population. Furthermore, the study aims to contribute to the preservation of the cultural heritage of the Karo region of Berastagi, which is increasingly being lost due to modern developments and technologies.

KEYWORDS

Embun Sikawit Bindu Natogog clothing batik Karo

Cite This Article

Netty Juliana, "Design of the decorative motifs Embun Sikawiten and Bindu Natogog on ready to wear clothing made of checkered batik," International Journal of Scientific Research in Engineering and Management, vol. 10, no. 6, pp. 1-8, Jun 2026. https://doi.org/10.55041/IJSREM64609

Full Article/Conclusion

This design generates creativity and innovation through the development of the Bindu Natogog and Embun Sikawiten decorative motifs applied to ready-to-wear clothing. The inspiration for this design stems from the decorative carvings of traditional Karo houses in the Berastagi area. This approach serves as a sustainable approach and serves to preserve Karo culture through the creation of aesthetically pleasing textile products. The visual adaptation of the Bindu Natogog and Embun Sikawiten decorative motifs, representing the Berastagi locale, is a key element in the design, while the ready-to-wear form was chosen for its functionality and broad potential for visualizing the motifs.   To achieve the desired results, this ready-to-wear batik design targeted a specific market: adult women aged 25-40. The limited production system was chosen to provide exclusive value to consumers seeking aesthetic and distinctive designs. The aesthetic aspect focuses on the development of the Bindu Natogog and Embun Sikawiten motifs, which are rarely explored in stamped batik. Therefore, creativity and innovation are required to produce a diverse range of batik motifs. On the technical side, the combination of primissima cotton as the material of choice to increase the strength of the fabric and provide optimal comfort and visual quality.

References

1.     Abdurrahman Ginting, (2014). The Practical Essence of Learning and Teaching. Bandung: Humaniora. 2.     Ayda, P. N. & Astuti (2020). Surface Design Creation on Ready-to-Wear Clothing Using the Sashiko Technique. Journal of Fashion and Culinary Technology, 8(1), 62-69. https://doi.org/10.15294/teknobuga.v8i1.24065 3.     Anggraini, D., Wibowo, E. A., & Almira, F. (2025). The Influence of Product Quality, Marketing Strategy, Price, and Location on the Purchase Decision of Batam Batik at Dekranasda Kota Batam. Tractare: Journal of Economics and Management, 8(1), 75-84. 4.     Artiwi, A., & Widyastuti, T. (2021). Designing Stamped Batik with a Wedangan Theme as an Effort to Preserve Traditional Indonesian Beverages. Crafts and Creative Industries, 1(2), 77–86. 5.     Fadhilah, I. R. (2023). Recycling Karangrejo Textile Waste: A Case Study of Textile Factory Solid Waste Management for the Development of Woven Products by the Karangrejo Village Community (Doctoral dissertation, UNS (Sebelas Maret University)). 6.     Gustami, S.P. (2007). Pearls of Eastern Aesthetics: Basic Ideas for the Creation of Indonesian Craft Art, Yogyakarta. 7.     Gustami Sp. (1980). Excerpts from Indonesian Ornamental Art. Yogyakarta: STSRI "ASRI". 8.     Gustami, S. P., Wardani, L. K., & Setiawan, A. H. (2014). Kasongan Heritage Ceramics. Directorate of Fine Arts Development. 9.     Handayani, R.B. (2022). Analysis of Sustainable Fashion Design Development in Indonesia. Narada Journal. https://doi.org/https://dx.doi.org/10.22441/narada.2022.v9.i1.00 10.  Handayani, R. B., Hutama, K., & Sunarya, Y. Y. (2021). Strategy matrix for implementing sustainable fashion design. Journal of Art & Design, 3(1), 15–24.

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Publication Date

6/8/2026

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Review Rounds: 2

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