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Stream/Area:
-
Subject:
-
Paper ID:
IJSREM65158
Volume:
10 |
6 |
Jun 2026
Pages:
1-6
Publication Frequency:
Monthly (12 issues per year)
License:International Journal of Scientific Research in Engineering and Management follows the Creative Commons Attribution 4.0 (CC BY 4.0) License, allowing free use and distribution with proper attribution.

Department of Computer Engineering
JSPM Narhe Technical Campus

Department of Computer Engineering
JSPM Narhe Technical Campus

Department of Computer Engineering
JSPM Narhe Technical Campus

Department of Computer Engineering
JSPM Narhe Technical Campus

Department of Computer Engineering
JSPM Narhe Technical Campus
Musimo is an intelligent audio analysis platform designed for sound engineers, video editors, and music composers. This paper presents two deep learning modules integrated within Musimo: (1) an Audio Emotion Analysis module employing a VGGish-BiLSTM-Attention architecture for continuous multi-label emotion intensity prediction across the GEMS-9 taxonomy, and (2) a multi-label Instrument Detection module using a hybrid CNN-CRNN architecture for recognizing 20 instrument classes from the OpenMIC-2018 dataset. The emotion module achieves a test MAE of 0.1245 on the Emotify dataset, with per-emotion Pearson correlations ranging from 0.399 to 0.676. The instrument detection module leverages Mel-spectrogram representations with sequential BiLSTM encoding and sigmoid multi-label output. Together, these modules provide a comprehensive foundation for emotion-aware and timbre-aware music analysis and creative workflow enhancement.
KEYWORDS
This paper presented Musimo, an intelligent audio analysis platform comprising two deep learning modules for music emotion recognition and multi-label instrument detection. The emotion analysis module employs a VGGish-BiLSTM-Attention architecture trained on the Emotify dataset to predict continuous GEMS-9 emotion intensities, achieving a test MAE of 0.1245 and per-emotion Pearson correlations of 0.399–0.676. The instrument detection module uses a CNN-CRNN architecture trained on OpenMIC-2018 to detect the presence of 20 instrument classes from Mel-spectrogram inputs, with sigmoid multi-label outputs appropriate for polyphonic audio. Both modules adopt AdamW/Adam optimization, ReduceLROnPlateau scheduling, early stopping, gradient clipping, and stochastic data augmentation for stable training. They are deployed as FastAPI REST services and integrated with a shared frontend that renders emotion timelines, radar charts, and instrument confidence bar charts, providing actionable insights for sound engineers, video editors, and music composers. Future work will explore music-specific pretrained embeddings (MERT, Music2Vec) to replace VGGish, hierarchical temporal modeling across segments to capture long-range musical structure, multi-modal fusion combining audio with lyric sentiment and symbolic features, class-weighted BCE and focal loss to address instrument class imbalance, and real-time streaming inference through model quantization and ONNX export.
[1] S. Hershey et al., "CNN Architectures for Large-Scale Audio Classification," in Proc. IEEE ICASSP, 2017, pp. 131–135. [2] M. Gemmeke et al., "Audio Set: An Ontology and Human-Labeled Dataset for Audio Events," in Proc. IEEE ICASSP, 2017, pp. 776–780. [3] M. Schedl, H. Zamani, C.-W. Chen, Y. Deldjoo, and T. Elahi, "Current Challenges and Visions in Music Recommender Systems Research," Int. J. Multimedia Info. Retrieval, vol. 7, no. 2, pp. 95–116, 2018. [4] J. A. Russell, "A Circumplex Model of Affect," J. Personality Social Psychology, vol. 39, no. 6, pp. 1161–1178, 1980. [5] M. D. Zentner, D. Grandjean, and K. R. Scherer, "Emotions Evoked by the Sound of Music: Characterization, Classification, and Measurement," Emotion, vol. 8, no. 4, pp. 494–521, 2008. [6] A. Vaswani et al., "Attention Is All You Need," in Advances in Neural Information Processing Systems (NeurIPS), 2017, pp. 5998–6008. [7] J. Hu, L. Shen, and G. Sun, "Squeeze-and-Excitation Networks," in Proc. IEEE CVPR, 2018, pp. 7132–7141. [8] R. Panda, R. Malheiro, and R. P. Paiva, "Novel Audio Features for Music Emotion Recognition," IEEE Trans. Affective Computing, vol. 11, no. 4, pp. 614–626, 2020. [9] B. McFee et al., "librosa: Audio and Music Signal Analysis in Python," in Proc. Python in Science Conference, 2015, pp. 18–25. [10] E. Fonseca et al., "OpenMIC-2018: An Open Dataset for Multi-Label Audio Classification," in Proc. ISMIR, 2018.
Publication Date
6/18/2026
Peer Review Type
Double-Blind Peer Review
Review Rounds: 2
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The authors declare no conflict of interest related to this research work.
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