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Stream/Area:
-
Subject:
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Paper ID:
IJSREM65863
Volume:
10 |
7 |
Jul 2026
Pages:
1-4
Publication Frequency:
Monthly (12 issues per year)
License:International Journal of Scientific Research in Engineering and Management follows the Creative Commons Attribution 4.0 (CC BY 4.0) License, allowing free use and distribution with proper attribution.
Department of English
KL Deemed to be University
Department of English
KL Deemed to be University
This article suggests a critical framework for the reading of contemporary Dalit women’s writing in India called "crip caste" which views disability as an interrelated concept with its complementary category, caste-gender. The prior studies on Dalit women’s autobiography and fiction have been focused predominantly on the intersections of caste and gender, and have adopted intersectional feminist standpoint theory to look at the double burden of caste and gender, reading the forms of embodiment in pain, exhaustion, malnutrition, injury to labour, injury to reproduction and injury to the psyche that saturate these texts as sociological phenomena rather than formal aesthetic phenomena. It brings to the fore crip theory (Alison Kafer, Sami Schalk, Robert McRuer), debility-capacity (Jasbir Puar) and Dalit feminist standpoint (Sharmila Rege, Gopal Guru), via the works of Bama’s Sangati, Urmila Pawar’s The Weave of My Life, Ants Among Elephants by Sujatha Gidla, and Coming Out as Dalit by Yashica Dutt, as well as recent poetry by Meena Kandasamy and Challapalli Swaroopa Rani. The writer makes three claims in the article: First, that caste is not only a disabling structure that creates ‘slow death’ among Dalit communities, but also a structure that creates ‘slow death’ of the debilitated body minds of Dalit women writers; Two, that Dalit writers have invented special forms of narrative including episodic structure, collective voice, sensory memory and refusal of bildungsroman closure to register debilitated body minds which are not objects of pity; and Three, that reading these texts through crip caste opens new directions for Dalit studies and disability studies, both of which have not fully theorized the intersection of these. This research provides the basis for a discussion of the implications for method in the postcolonial disability humanities in the conclusion.
KEYWORDS
In this article, I have argued that reading Dalit women’s writing requires the ongoing dialogue with Dalit feminist standpoint, crip theory and debility studies, and that the latter is an ongoing, formally innovative means of engaging with crip caste, or the production of debilitated body minds within caste structures. There are three implications: CR is not the alternative to the existing interpretation(s) of Dalit literary studies but instead is a complement and expansion of them. It is true that the political and the formal are not two distinct questions, but one question at two different levels, as I’ve attempted to show. These are not only literary techniques: the episodic form is a political thesis, as is the collective voice, as is the sensory-affective archive. Second, disability studies: crip caste challenges the anglophone hegemony and raises the question of caste, colonialism and the specific institutional structures and discourses of postcolonial employment that produce disability. Caste must be a key and not an ancillary category of transnational disability humanities as scholars such as Clare Barker and Stuart Murray have called for (Barker and Murray). Thirdly, in terms of postcolonial studies, this embodied turn, which has been a feature of the discipline over the last decade (as seen in the work of Saidiya Hartman, Christina Sharpe, etc.) has been present in Dalit women’s writing for decades but has not yet been labelled as such— ‘theoretical’. Crip caste calls this tradition by name, and introduces it into the discussion as a theory, rather than just a testimony. However, as regards method, this research suggests that it is crucial to remember the formal innovation of marginalized literatures when conducting empirical studies of them. Readings in sociology are required but not enough to ‘work through’ the texts. The forms are episodic, distributed, sensory propositions to a telling of debilitated lives. In the future this framework could be applied to Dalit men’s writing, Adivasi crip narratives and comparative studies with African American disability writing.
1. Addlakha, Renu, editor. Disability Studies in India: Global Discourses, Local Realities. Routledge, 2013. 2. Anand, Shilpa. "Historicising Disability: Productive Recapitulations and Hierarchies of the Disabled in Caste-Society." Disability and Society, vol. 34, no. 4, 2019, pp. 547–67. 3. Bama. Karukku. Translated by Lakshmi Holmström, Macmillan India, 2000. ———. Sangati: Events. Translated by Lakshmi Holmström, Oxford UP, 2005. 4. Bansode, Hira. Selected Poems of Hira Bansode. Translated by Vijaya Pawar, Ambedkar Memorial, 2018. 5. Barker, Clare, and Stuart Murray, editors. The Cambridge Companion to Literature and Disability. Cambridge UP, 2018. 6. Berlant, Lauren. "Slow Death (Sovereignty, Obesity, Lateral Agency)." Critical Inquiry, vol. 33, no. 4, 2007, pp. 754–80. 7. Bose, Arunabha. "Dalit Textuality and Sexuality: Narrative and Gender in Tamil Women’s Writing." Studies in Indian Place Names, vol. 8, no. 2, 2023, pp. 23–42. 8. Dutt, Yashica. Coming Out as Dalit: A Memoir. Aleph Book Company, 2019. 9. Gajarawala, Toral Jatin. Untouchable Fictions: Literary Realism and the Crisis of Caste. Fordham UP, 2013. 10. Ghai, Anita. Rethinking Disability in India. Routledge, 2015.
Publication Date
7/6/2026
Peer Review Type
Double-Blind Peer Review
Review Rounds: 2
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