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ArticlePeer ReviewedOpen AccessPlagiarism Passed
Paper ID:IJSREM49599

The Female Voice in Patriarchal Literature: A Feminist Literary Critique

Stream/Area:

-

Subject:

-

Paper ID:

IJSREM49599

Volume:

9 |

6 |

Jun 2025

Pages:

1-9

Publication Frequency:

Monthly (12 issues per year)

DOI
Digital Object Identifier
10.55041/IJSREM49599

License:International Journal of Scientific Research in Engineering and Management follows the Creative Commons Attribution 4.0 (CC BY 4.0) License, allowing free use and distribution with proper attribution.

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Authors

DMA

Dr. Muthareen Ali

Department of Higher Education

Jammu and Kashmir

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Abstract

This paper explores the representation, marginalization, and subversion of the female voice in patriarchal literature through a feminist literary lens. Rooted in the traditions of feminist criticism, the study examines how literary texts—largely authored and canonized by men—have historically silenced, objectified, or distorted women’s perspectives, rendering them passive characters in male-dominated narratives. Drawing on seminal feminist theorists such as Elaine Showalter, Sandra Gilbert, and Simone de Beauvoir, the research highlights the ways in which literature has served as both a reflection and reinforcement of patriarchal ideologies. The paper further analyzes select literary works from various historical periods and cultures, uncovering recurring themes of female suppression, gendered language, and symbolic violence. At the same time, it explores how contemporary female authors and re-readings of classical texts challenge and reclaim narrative authority, reconstructing space for authentic female subjectivity. Through a critical re-evaluation of both classical and modern texts, the study aims to contribute to the ongoing discourse on gender, power, and voice in literature.

KEYWORDS

Keywords Feminist Criticism Female Voice Patriarchy Literary Canon Gender Representation Feminist Rewriting Narrative Authority

Cite This Article

Dr. Muthareen Ali, "The Female Voice in Patriarchal Literature: A Feminist Literary Critique," International Journal of Scientific Research in Engineering and Management, vol. 9, no. 6, pp. 1-9, Jun 2025. https://doi.org/10.55041/IJSREM49599

Full Article/Conclusion

Feminist literary criticism has fundamentally reshaped the way literature is understood, critiqued, and taught by centering the female voice within patriarchal narratives. Through a diverse range of theoretical frameworks—from early feminist critiques that exposed gender biases in canonical texts to contemporary intersectional and digital approaches—this field has illuminated the multiplicity and complexity of women’s experiences in literature. The recognition of intersectionality has broadened feminist critique to include race, class, sexuality, and postcolonial perspectives, ensuring that feminist literary scholarship remains inclusive and dynamic. Furthermore, the engagement with popular culture has extended feminist inquiry beyond traditional literary boundaries, emphasizing the pervasive influence of gender representations across media”. Despite challenges such as essentialism, institutional resistance, and commercialization, feminist literary criticism continues to evolve as a vital intellectual and activist practice. It empowers readers and writers alike to question and dismantle patriarchal structures, fostering greater gender equity and diversity in literary discourse. Ultimately, the ongoing development of feminist literary criticism reflects its enduring commitment to amplifying marginalized voices and redefining the literary canon for a more just and equitable cultural future.

References

Ø    Adichie, C. N. (2013). Americanah. Alfred A. Knopf. Ø    Ahmed, S. (2017). Living a Feminist Life. Duke University Press. Ø    Anzaldúa, G. (1987). Borderlands/La Frontera: The New Mestiza. Aunt Lute Books. Ø    Atwood, M. (1985). The Handmaid’s Tale. McClelland and Stewart. Ø    Banet-Weiser, S. (2018). Empowered: Popular Feminism and Popular Misogyny. Duke University Press. Ø    Beauvoir, S. de. (1949). The Second Sex. Paris: Gallimard. Ø    Belsey, C. (2002). Poststructuralism: A Very Short Introduction. Oxford University Press. Ø    Butler, J. (1990). Gender Trouble: Feminism and the Subversion of Identity. Routledge. Ø    Cixous, H. (1975). The laugh of the medusa. Signs, 1(4), 875–893. Ø    Collins, P. H. (2000). Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. Routledge. Ø    Crenshaw, K. (1989). Demarginalizing the intersection of race and sex: A Black feminist critique of antidiscrimination doctrine, feminist theory and antiracist politics. University of Chicago Legal Forum, 1989(1), 139–167. Ø    Dangarembga, T. (1988). Nervous Conditions. Zimbabwe Publishing House. Ø    Eagleton, T. (1996). Literary Theory: An Introduction (2nd ed.). University of Minnesota Press.

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Publication Date

5/23/2026

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