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Paper ID:IJSREM68225

The Impact Of Film Teasers On Audience Decision Making - A Study On The Film Master (2021)

Stream/Area:

-

Subject:

-

Paper ID:

IJSREM68225

Volume:

10 |

10 |

Oct 2026

Pages:

1-14

Publication Frequency:

Monthly (12 issues per year)

DOI
Digital Object Identifier
10.55041/IJSREM68225

License:International Journal of Scientific Research in Engineering and Management follows the Creative Commons Attribution 4.0 (CC BY 4.0) License, allowing free use and distribution with proper attribution.

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Authors

Naveen Kumar M

Naveen Kumar M

Visual Communication

Hindusthan College of Arts & Science, Coimbatore, Tamil Nadu, India - 641028

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Jone Antony Raja. J

Jone Antony Raja. J

Visual Communication

Hindusthan College of Arts & Science, Coimbatore, Tamil Nadu, India - 641028

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Abstract

Film teasers have become one of the most influential promotional tools in the film industry. In a short span of time, they create curiosity, shape expectations, and influence whether audiences choose to watch a film in theatres. In Tamil cinema, where star power, fan culture, and social media shape release strategies, teasers play an especially important role. This study examines the impact of film teasers on audience decision-making, using the Tamil film Master (2021) as a case. The study follows a quantitative research design. Primary data were collected through a structured questionnaire from 100 respondents, comprising students, general audience members, and theatre owners. The questionnaire measured exposure to the teaser, emotional and cognitive responses, perceived quality of the content, and intention to watch the film in theatres. The data were analysed using descriptive and inferential statistical techniques to identify relationships between teaser exposure and viewing decisions. The study is grounded in established communication and consumer behaviour frameworks, which explain how promotional content influences attitudes, interest, and purchase intention. The findings are expected to show that teaser elements such as star presence, background music, visual appeal, dialogue, and action sequences significantly affect audience curiosity and the decision to watch. The study also considers how opinions differ across audience groups, including the perspective of theatre owners on the teaser’s effect on box-office expectations. The research contributes to the understanding of film marketing and audience behaviour in regional cinema. It offers practical insights for filmmakers, producers, distributors, and marketers who design promotional strategies.

KEYWORDS

film teaser audience decision-making film promotion Tamil cinema Master (2021) viewing intention

Cite This Article

Naveen Kumar M, Jone Antony Raja. J, "The Impact Of Film Teasers On Audience Decision Making - A Study On The Film Master (2021)," International Journal of Scientific Research in Engineering and Management, vol. 10, no. 10, pp. 1-14, Oct 2026. https://doi.org/10.55041/IJSREM68225

Full Article/Conclusion

This study examined the impact of the official teaser of Master (2021) on audience decision-making. The findings show that the teaser reached its audience widely. 88.9% of respondents had watched it, mostly after first seeing it on YouTube (79.6%), and 66.7% watched it more than once. 96.3% of respondents went on to watch the film, and over half (51.9%) saw it in a theatre.  The teaser’s content elements were well received, with about two-thirds of respondents agreeing that the character presentation, Vijay’s screen presence, the cinematography, the music and sound, the editing, and the suspense worked well. Character representation (33.3%) and music and sound (31.5%) were the elements that influenced interest the most. The teaser also influenced viewing decisions. 70.3% said it made them more likely to choose Master over other films, 70.4% said it influenced their decision to watch in a theatre, and 75.9% said it encouraged them to discuss, share, or recommend the film.  However, the teaser was not the only deciding factor. Lead actors (31.5%) and storyline or genre (24.1%) were the most common primary reasons for watching, while the teaser itself was the primary reason for only 11.1%. In addition, 31.5% rated the teaser as ineffective overall, even though they liked its individual elements.  In conclusion, the Master teaser was an effective promotional tool that created curiosity, built anticipation, and influenced the audience’s intention to watch, mainly through star appeal, character introduction, and audio-visual treatment. It worked best as part of a wider set of influences rather than as the sole driver of the decision. Because the sample was young and mostly male, the findings are most reliable for young, digitally active audiences. Future studies could use a larger and more varied sample, including older viewers, female audiences, and theatre owners, and could compare teasers of different films.

References

1.                   Ardana, I. G. A. W. P., Gelgel, N. M. R. A., & Pradipta, A. D. (2025). Pengaruh terpaan trailer film Barbie terhadap keputusan menonton film Barbie di bioskop pada remaja Kota Denpasar. E-Jurnal Medium, 6(2), 225–243. https://ejournal2.unud.ac.id/index.php/komunikasi/article/view/298 2.                   Balakrishnan, M., Mary, J. B. A. A., Mendon, S. G., & Bullard, S. K. (2025). Social media’s role in Tamil film promotion: A case study of Twitter. International Journal of Innovative Research in Technology, 12(3), 2209–2215. https://ijirt.org/article?manuscript=1616422 3.                   Finsterwalder, J., Kuppelwieser, V. G., & de Villiers, M. (2012). The effects of film trailers on shaping consumer expectations in the entertainment industry—A qualitative analysis. Journal of Retailing and Consumer Services, 19(6), 589–595.https://ir.canterbury.ac.nz/items/a6662b59-b8f0-4b3d-982b-3af096e62a82 4.                   Jerrick, D., & Crosby, E. (2013). The effectiveness of film trailers: Evidence from the college student market. UW-L Journal of Undergraduate Research, 16, 2–13.https://www.uwlax.edu/globalassets/offices-services/urc/jur-online/archived/2013/jerrick.david.marketing.pdf 5.                   Priya, K. S. S., & Sundaram, K. K. (2025). Innovative marketing in the Tamil film industry: Strategies, audiences and evolving media practices. International Social Research Nexus, 1(3), 1–9.https://scholarcave.com/index.php/isrn/article/view/169 6.                   Vijaykumar, D. P. (2024). Exploring the effectiveness of marketing strategies leveraged by visual storytelling and emotions in Indian films. International Journal of Business and Management Invention, 4(1), 20–21. https://www.researchgate.net/profile/Pravitha-Vijaykumar/publication/381915155_Exploring 7.                   Katz, E., Blumler, J. G., & Gurevitch, M. (1973). Uses and gratifications research. Public Opinion Quarterly, 37(4), 509–523. https://doi.org/10.1086/268073 8.                   Petty, R. E., & Cacioppo, J. T. (1986). Communication and persuasion: Central and peripheral routes to attitude change. Springer-Verlag. https://doi.org/10.1007/978-1-4612-4964-1    

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Publication Date

10/23/2026

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