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Stream/Area:
-
Subject:
-
Paper ID:
IJSREM47466
Volume:
9 |
5 |
May 2025
Pages:
Publication Frequency:
Monthly (12 issues per year)
License:International Journal of Scientific Research in Engineering and Management follows the Creative Commons Attribution 4.0 (CC BY 4.0) License, allowing free use and distribution with proper attribution.
This research paper offers an in-depth thematic exploration of ecological consciousness as depicted in the works of two distinguished Indian authors, R.K. Narayan and Ruskin Bond. Despite sharing a common focus on the relationship between nature and humanity, the two authors approach this theme from contrasting perspectives, shaped by their unique narrative styles, cultural settings, and thematic priorities. Narayan’s stories, set in the fictional South Indian town of Malgudi, present nature as a constant but understated backdrop to human life—an integral part of the environment that influences daily interactions, cultural practices, and spiritual beliefs. In contrast, Ruskin Bond’s narratives, often situated in the picturesque Himalayan region, portray nature as a dynamic, living force—an active presence that profoundly impacts human emotions and experiences. Bond’s writing captures the beauty and tranquility of mountain landscapes, with vivid descriptions of flora, fauna, misty forests, and village life, emphasizing a spiritual and emotional connection between humans and the natural world. This paper conducts a detailed comparative analysis of the two authors, highlighting both the thematic similarities and differences in their portrayal of nature and ecological awareness. It examines how Narayan’s community-oriented, culturally grounded narratives differ from Bond’s introspective, nature-centered storytelling. Selected works, including Narayan’s “Swami and Friends” and “Malgudi Days,” alongside Bond’s “The Room on the Roof” and “The Blue Umbrella,” are analyzed to illustrate their distinct approaches. Furthermore, the study explores the spiritual dimensions of ecological consciousness in their works—contrasting Narayan’s depiction of nature interwoven with cultural traditions with Bond’s portrayal of a universal, almost transcendental spirituality. This comparative analysis not only sheds light on the ecological depth in their stories but also underscores the ongoing significance of their works in promoting environmental awareness and sustainable values in contemporary times. Ø
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Publication Date
12/4/2025
Peer Review Type
Double-Blind Peer Review
Review Rounds: 2
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